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“This long handscroll of
the “Nine Dragons” is one of Boston Museum of Fine Arts’ great
treasures. It is
also one of the greatest treasures of best-preserved and most reliably
attributed example of Chen Rong's dragon painting and carries two
inscriptions by his own hand. According to the first
inscription, the
scroll can be dated to 1244, a period of the Southern Song Dynasty.
This
long handscroll depicts, as indicated by the title, nine dragons, which
appear among clouds, waves, wind, gorges and cliffs, executed in
monochrome ink on paper with some subtle touches of red color.
The
handscroll displays a great variety and creativity in painting
technique, a combination of seemingly random and spontaneous
application of ink with highly controlled and articulated brush
technique. For example, some areas of the painting display the use a
piece of cloth to apply ink or ink splashes, whereas rock surfaces or
dragons' scales are executed with a more controlled brush. These
observable features match with descriptions of Chen Rong's painting
practice, which report that he painted spontaneously when drunk and
used his cap to smear ink on the painting surface. Chen Rong himself
refers to this practice in his inscription as well. The overall effect
of the painting is one of continuous movement and energy throughout the
scroll, from which the dragons emerge and into which they disappear.”
(Abridged
from Museum of Fine Arts, Boston and U. of Chicago. edu web pages)
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